Before Reg E. Cathey left Manhattan for London’s West End where he will star in the Shawshank Redemption, he wrote this goodbye love song to Manhattan. It reveals a completely-other view of Manna Hatta (the Indian name) and promises to change the way you view the city. Click here to listen to Reggie read it aloud as you read along or just look at the pictures (like some kind of grown-up bedtime story). (The audio will open as a separate page; make the page smaller so it can sit along side the post.)

I’m leaving my beloved city.

I’ve been spending most of my time with Bright Spot: I call my best girl “The Bright Spot” while she calls me “Lord Weedingham” (she thinks I’m a snob). My heart is heavy because I will miss her so very much.

I will also miss my Manna Hatta. It’s sprawl and mess. Its many moods. At the end or beginning of a new day it seems to sigh with an expectation of great joy, or maybe an exhaustion of too much despair, or just not enough time. Sometimes my city needs a nice nap.
Wall Street – MAAP

A walking tour is called for, remembering where slaves, Spanish Creoles, and free-men, with names like Simon Congo, Jan Rodriguez and Peter DeAngola, imagined a new life. I’ll start downtown in the old Dutch village south of where slaves once built a wall to keep out the Indians, now Wall Street; a place south of where the slaves were sold, now the Stock Market.

Right beyond that, the Negro Farms, a parcel of land for free blacks, a buffer to keep those pesky Indians at bay. A special trip to East Broadway, where Prince was hanged along with fourteen others in the “slave uprising” of 1741; thirteen were burned at the stake. His white “wife” Irish Mary was allowed to give birth to their son before she was put to the Wheel.


Old Crommercy (Gramercy) is next, once owned by Francisco Bastien, who later turned his land further up the island into a cemetery when the British denied blacks the right to deed land to their descendants. Little Liberia (Minetta Lane), the Harlem of its day, and the gambling houses of the Tenderloin (Chelsea). I say goodbye to the ghosts of Macys, built on Francisco’s cemetery, the graves of old soldiers of the First Rhode Island Regiment, one of three black regiments in our war of independence. My feets hurt and I’m only at Herald Square!

San Juan Hill – The Schomburg Center

Up the West Side, past the Beaver Pond (Times Square) to the place where Jazz and Bird swung, past San Juan Hill (Lincoln Center) and my sacred spot, Seneca Village (Central Park West and 85th Steet).

New York Historical Society
Seneca Village – New York Historical Society

People stained with Africa and Europe hoped, shared and dreamed. They argued and complained. Told stories and sang their work songs, their strong heart songs and their death songs. The city moved them out in the first case of eminent domain. Scattered but not forgotten. Harlem.

The Schomburg Center

When I left Yale, I moved straight to Harlem.I grew up in Germany, so this is my first black neighborhood.  I saw my first old man beaten. My first TV ripped off. But I seeHarlem through my father’s eyes.



Summer spent at the “Inkwell” (the Black Hamptons) and dancing at the Savoy.


Savoy – The Schomburg Center

I go to the place of the Old Cotton Club, where he met and befriended Cab Calloway. On up to Sugar Hill (145th and Convent Ave) where my Bright Spot (bright white) looked for sunblock as we searched for a good love nest. I end at Fort Negro. No one really knows where Fort Negro, a British outpost during the revolution, was. But when it was time to hang that fellow Yalie Nathan Hale, they brought up a black soldier from Fort Negro to cover his head with the hood and drop the floor.

The Schomburg Center

My beautiful, angry, sexy, dirty, brilliant city, teeming with rude, insufferable, ill-mannered, inconsiderate blowhards and buffoons. All of us filled with fear. Of each other, the unknown, but mostly ourselves, of what we would be if we put our anger, suspicions and everything we are so sure we know down on the sidewalk with that old stereo system, but still holding on to that time we made love to the Johnny Hartman and John Coltrane album, letting it go and not clutter the crib which is expensive, tiny and has no light. Who would we be? We would be like the best parts of my city. Ever changing. Adapting to fit the new energy and ideas. Improvising on an ancient song. A love song. While I am away, I will take that with me and my heart will not feel so heavy.


With big thanks to Lydia Wills for sourcing the images.

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3 replies on “reg e. cathey’s goodbye love song to manna hatta and its improvisational spirit

  1. When people ask me “If you could live anywhere in the world, where would it be?” The answer is easy: Right here in New York. While I’d love to spend chunks of time in other cities, towns, and villages around the world, no other place offers the highs and lows of New York City. Everyone can tell his or her own love story with this city, and Reg eloquently captures his. Reg, you made my morning! I wish you great success in London. Come back! Harriet

  2. Thanks, Reg, for your big-hearted howl of love to our black-balled city. You remind us that at the beginning and end of the day, New York is mostly people.

  3. Reg, you are a street poet. Your writing reminds me of Gerard Manley Hopkins. Just letting heartfelt words explode onto the page. Words from the heart that don’t needed to be mediated. There’s also a poem about Dublin by Louis MacNeice that touches the same place. “Grey brick, upon brick, declamatory bronze on somber pedestals……and Nelson on his pillar, watching his world collapse.” I wrote in a memoir once that if Dublin was a woman, I’d marry her. You sound like you would marry New York in a heartbeat, fair play to you Reggie.

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