We were dismayed to hear that artist Phyllida Barlow passed away. She was a kind of role model for us, a 78-year old woman who taught for decades until finding fame late in her life for her daring monumental sculptures. We first fell in love and admiration when we watched trailer to the film “Phyllida”…
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In addition to some interesting music, we found a fat nugget in “Shocking the Consciousness”, Amanda Petrushich’s piece on 80-year-old radical/New Age composer Laraaji in The New Yorker: His online laughter meditations designed to help you generate your own medicinal sound.
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We love seeing two of our favorite materials — chairs and concrete — married into the stunning amphitheater designed by artist Armand Pierre Fernandez for Milan’s Parco Sempione, Milan in 1973. Embedded into the concrete steps are the personalities that chairs inevitably evoke, each seat curiously special and intentional. It made us think of artist Maria Lassnig’s view of chairs…
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Found at Lucinda Chambers instagram: Permission to NOT tile an entire bathroom wall, but just selected parts. Beautiful! As is her inspiration…
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They say that that if we want to get a good night’s sleep, our bedroom needs to be dedicated only to that and love-making and nothing that might stimulate thinking, even reading. But stumbling on photos of several artists in bed made us realize that we love, and miss, the idea of bed as relaxing, creative outpost and retreat outfitted with what we need to feed our heads and fuel creativity. That got us thinking about their use of big bedside tables…
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For years, I thought this image was of a fireplace mantle and admired it for the swirly cutouts that softened the usual rectangle while maintaining a curious modernity. It’s an image from my file of wooden things quietly embellished with swirls, loops, curls, scallops. They give me ideas for my trove of uncut plywood, as do these from Brancusi, Blossfeldt, Margaret Bourke-White.
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San Francisco ceramicist Nina Saltman created an inspired riff on the Little Free Libraries that have popped up across the nation. Nina’s Little Pott Shoppe is a tiny outdoor vitrine that offers her handmade cups and bowls for free. It’s a way she can give away “seconds”— work with minor flaws— and bring joy and serendipity to passersby. She never imagined how much her little offerings would affect people.
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Amid the daily deluge of bleak, enervating news about the effects of climate change, we’ve been noticing a strain of defiance: Messages that engender energy and activism rather than despair and paralysis. They offer a thought-provoking and heartening view.
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New York Magazine’s recent article about designer Todd Oldham’s house in the Poconos is a revelation: an over-the-top, completely original color-riot of a country house. Its many cool ideas are driven by an unexpectedly liberating design philosophy.
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A post-it marks a quote in The Hummingbird’s Daughter, the beautiful battered novel we found in the Little Free Library near our house. We’ve been mulling its essential lesson about allowing things to happen for weeks. And thinking about artists who use chance in their work, giving up control to allow unexpected things to happen.
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This lamp by English lampshade designer Mark Betty has this description “Lamp and Brown Paper (or whatever you want)” . The brown paper rolled into an asymmetrical cone and secured with a pin seems to have been made in a single gesture. Like all Betty’s shades, it has its own unique personality, as though it were alive…
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There has been a lot written about embracing your mistakes, but for us, Miles Davis nailed how to make it work, as recounted by a young Herbie Hancock in this tiny video; he experienced Miles’ approach in action.
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For weeks, Czeslaw Milosz’ very personal anthology of poetry, A Book of Luminous Things has sat on our table to open anywhere for an unexpected view of our world. It’s made us realize that when we read a poem, it starts a conversation within us and with other things…
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A photo I stumbled on on Instagram made me loosen up my fevered drive to create bookcases for my many books, some of which are in boxes. Stacked — loose — can be so beautiful…
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It hadn’t occurred to us to think beyond the idea of S’mores we’ve had in our head for eons. Then we stumbled on a complete re-envisioning of the three elements that blew our mind in the most pleasurable way.
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We love this skeleton of a picture frame hung pictureless on a wall. As we gaze into its empty space, we find ourselves imagining all sorts of things while we enjoy its austere shape. It reminded us of the old silver frame we gave to artist Maria Robledo years ago. Picture frame as magical objet.
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In the weeks leading up to artist and poet Etel Adnan’s death, our instagram feed was flooded with images of her work as though the world could feel her passing. Her striking paintings have been called “talismans”, “declarations of love”, and reminders of what Adnan called “day-to-day bravery”. Seeking out her work and writing, we found her big wisdom.
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Long out of favor due to the glut of cheap clothing, products and materials, mending and repair is on the rise again. That’s got us looking into the deeper meaning of mending.
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We love this clip of abstract expressionist artist Ed Clark describing how he came defy the limitations of the paint brush by painting canvasses laid out on the floor with a push broom, the old-fashioned super-wide broom janitor’s used to wash big swathes of floor. His improvisation reminds us of the way ideas can ignite or connect in an instant to yield solutions with mighty effect.
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Tabula Rasa, The New Yorker’s series by the great John McPhee features “the saved-up, bypassed, intended pieces of writing.” McPhee’s spare, vivid descriptions reminded me of the essential lesson legendary photographer Lisette Model taught her students, most notably Diane Arbus.
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