In her seminal 1997 book Biomimicry, Janine Benyus introduced the notion that we could be better off by simply mimicking the ways problems are solved in nature. Although usually formatted as a numbered list, we saw them for the first time as a single sentence, set up like a poem. And like a good poem, it makes for a radical shift of view…
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We recently learned about Pando, a clonal aspen tree that is one of the largest and oldest beings on earth. Over 100 acres wide, it has been hiding in plain sight for thousands of years. It is a lesson in how we see, and don’t.
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We recently returned to the Guggenheim Museum with a singular purpose: to revisit the handful of remarkable late paintings artist Alex Katz made of trees, lake, night. Those are really not the subject. He paints the sensation of seeing.
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When a friend threw THIS over our transom, we felt instantly better. Clarifying, heartening, it pulled us out of our heads into just the right place.
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Blue Room is a beauty of a New York Times video editorial by filmmaker Merete Mueller. It shows incarcerated men and women watching nature videos on loop, in a mental health experiment to see how seeing nature impacts their experience of isolation and the relentlessly bleak environments in which they must live. Its quietly powerful 11 minutes took us way beyond its subject.
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A snippet of a Hermann Hesse quote about trees sent us hunting for the whole thing. We stumbled on “Trees: An Anthology of Writings and Paintings”, a little gem of a book: thirty of Hesse’s watercolors with his essays and poetry about trees, for him, a symbol of transcendence and rebirth.
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The other morning, I opened the blind just as the rising sun was turning everything golden and a double rainbow appeared over Harlem. It got me thinking about the word “miracle” and another citing of miracles by a 6 year old I know. And Walt Whitman’s mighty list.
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Designer Russel Wright had the habit of shaping parts of the land around Manitoga, his home and studio in upstate New York, into “rooms”. Rather than making a room, I love the idea of an outdoor room coming into being simply by finding it or naming it, as happened when I stumbled on some ancient Beeches. Their branches arch down to the ground to define the space around them, making quiet leafy rooms. The feeling of hanging out in them is extraordinary. Wendell Berry nailed it.
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The image of a Serbian Orthodox church inside an oak tree got us thinking about trees being used as churches. What are the qualities of trees that make them a place for sanctuary, reflection, rest, prayer. We found the answer in Jo Shapcott’s glorious poem “I Go Inside the Tree”…
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Amid the daily deluge of bleak, enervating news about the effects of climate change, we’ve been noticing a strain of defiance: Messages that engender energy and activism rather than despair and paralysis. They offer a thought-provoking and heartening view.
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When we saw this image on @UpstateDiary, we thought what a lovely thing to build into a garden, and imagined ourselves resting on it, how instantly relaxed and at ease we would feel in the fragrant green. Then this Mary Oliver poem jumped into our hands, expanding its possibilities…
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Blossoms knocked off their stems make for free flower arrangements in the form of ad hoc indoor ponds like the one photographer Maria Robledo devised (the perfect accompaniment to this poem written over a thousand years ago)
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Lately Mary Oliver has been coming again into our field of vision. This perfect evocation of being among trees is a balm in this ferocious time.
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Over the years, we’ve found many ways to express thanks. Close to our heart is this W.S. Merwin poem that finds a way to say thanks in the midst of our beautiful, frightening, wounded, wounding world. We offer it with a big hunk of beauty from a Mexican forest.
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At the ever-illuminating @upstate_diary, we suddenly found ourselves looking up through wintry trees into a vast moving star-scape. It transported us to a chilly night in the country. It led to reminders of cosmic views of the everyday.
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Do you ever wonder why we humans tend to feel good in nature? Annie Murphy Paul’s scholarly The Extended Mind: the Power of Thinking Outside the Brain gives the simple, obvious gist. It’s message is surprisingly echoed in art…
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I was stunned recently when the morning light slanted across the leaves in the low shrubs across from me to reveal glittering spider webs woven throughout: an intricate network of homes carefully, miraculously forged. It reminded me of a perfect passage from H is for Hawk, and what it takes to see.
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The other day in Central Park, I saw I guy lying in a hammock under the sweeping branch of an ancient tree. Nearby was heavy-duty dolly that he’d used to haul a hammock stand to the beautiful spot.
It got me thinking about personal rigs people devise for getting OUT unfettered by any ideas of embarrassment or propriety.
After being diagnosed with AIDS in 1986, filmmaker Derek Jarman bought an austere tar-painted fisherman’s cottage in sight of a nuclear power station in the bleak shingle landscape on the southeast coast of England. It would prove to be an act of creative vision as unique as those Jarman realized in his films.
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Seeing a single firefly in a field in New York City sparked several haiku, and coincided with astonishing research on the magical insect.
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