“I obey time, but do not try to manipulate it” said South Korean artist Myonghi Kang, referring to her painting “Le temps des camélias” (“The Time of Camellias”), which took her 30 years to complete. We are heartened by her assuredness and courage, even, striking in a world where the pressure to be productive seems to inform every moment.
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Sixty years after the artists Christo and Jeanne-Claude’s first visioned wrapping the Arc de Triumphe I’m fabric, the project has come to fruition for all to e see, touch, interact with, for free. In this short video, Christo gives insight into the meaning of their unusual — and ephemeral — life’s work spent transforming huge outdoor spaces at great cost in money and time.
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Michaela Coel won an Emmy for her fiercely powerful drama I May Destroy You which she created, directed and starred in. Her stunning 30-second acceptance speech offers remarkable counsel to writers and artists longing to make truly meaningful work.
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When landscape artist Sargy Mann went totally blind in 2005, he assumed there were no options left. But since a blank canvas was stretched in his studio,and paints had been mixed, he thought, “I wonder would happen if I gave this a go?”
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I rely on my tightly edited instagram feed to bring ideas and wonders right to me when I need them. Then a powerful quote from Saul Bellow sparked an essential question.
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We’re inspired in so many ways by graffiti artist Banksy’s brilliant tutorial done to the words of Bob Ross, TV painting instructor and host of the iconic Joy of Painting show from 1983 to 1994. Along with revelatory technique is a philosophy for navigating life…
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We were stunned by the simple brilliance of clothing designer Martin Margiela’s packing tape belt. He recognized the most ordinary of materials as the perfect width, and texture to fulfill an instant need with astonishing personal style. It called to mind Anni Albers’ brilliant words.
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SO GREAT, wherever this few seconds of inspiring outside-the-box thinking came from.
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S.B. Dworski reflects on the nature of being “siloed”, which most of the world is grappling with, and a new way to think about it.
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After months being seriously home-bound, I’ve found myself looking around my space for ways to shift my head. The work of several artists provided both inspiration and illumination as to why…
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We take a walk daily because it never fails to refresh our thinking, change our view of things, calm us. Especially, in these most stressful times. It is perhaps our most powerful medicine. Walking, we find our mind shifting, ideas sparking, problems beginning to yield in ways we never expect. Rilke nailed it in A Walk:…
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For over a week, the work of a poet and an artist seemed to be in conversation,
helping us understand a fearsome part of living.
In the 16th century, an Italian artist named Cesare Vecellio began to use the long “fourth” outside edge of books as a canvas on which to make small paintings… a reminder of possibilities hiding in plain sight…
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This image with the caption, “Parisians navigate flood waters by walking across rows of chairs, 1924”, reminded us of the essential nature of improvisation.
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One of the best things to come out of the months of Covid-19 lockdown has been extraordinary films from art galleries and museums. One of the best of is about the English sculptor Phyllia Barlow. It provides an illuminating counterpoint to the many life questions that the virus has thrown into relief.
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We recently re-discovered “Eating Grapes Downwards” a poem we’d loved and somehow lost track of. Christian Wiman describes the mysterious creative process we cannot control, and often aren’t even aware of, but that is part of every life. With instructions for how to navigate…
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Eight years ago, afriend and I discovered that reading – or listening to – a poem has a hugely beneficial effect. Here’s the backstory, the poets we rely on, and some poetry.
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Perspective we need: The Onion’s sublimely funny, spot-on commentary on the pressure to be creative during the “free time” of quarantining + Riz Ahmed’s wise view.
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This sublime short film is about “saxophone colossus” Sonny Rollins’ two-year musical sabbatical playing on New York’s Williamsburg Bridge and what he found there.
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In posts and emails, I shared the questions fueling Improvised Life’s new architecture and many changes. Among the deeply affirming messages I received from readers, the most interesting was from long-time contributor Susan Dworski. She wrote of the contagious aspect of this sea change.
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