A Brilliant Concrete Amphitheater + Maria Lassnig’s Body Awareness

We love seeing two of our favorite materials — chairs and concrete — married into the stunning amphitheater designed by artist Armand Pierre Fernandez for Milan’s Parco Sempione, Milan in 1973. Embedded into the concrete steps are the personalities that chairs inevitably evoke, each seat curiously special and intentional. It made us think of artist Maria Lassnig’s view of chairs…

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BIG Bedside Tables Via Frida Kahlo, Salvador Dali, Henri Matisse, Donald Judd

They say that that if we want to get a good night’s sleep, our bedroom needs to be dedicated only to that and love-making and nothing that might stimulate thinking, even reading. But stumbling on photos of several artists in bed made us realize that we love, and miss, the idea of bed as relaxing, creative outpost and retreat outfitted with what we need to feed our heads and fuel creativity. That got us thinking about their use of big bedside tables…

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Tree Rooms Hiding in Plain Sight (Wendell Berry)

Designer Russel Wright had the habit of shaping parts of the land around Manitoga, his home and studio in upstate New York, into “rooms”. Rather than making a room, I love the idea of an outdoor room coming into being simply by finding it or naming it, as happened when I stumbled on some ancient Beeches. Their branches arch down to the ground to define the space around them, making quiet leafy rooms. The feeling of hanging out in them is extraordinary. Wendell Berry nailed it.

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Stenciling Ugly Concrete Sidewalks (and Other Things)

I didn’t realize how naturally brutalist concrete sidewalks are — drab gray, strangely crude— until I saw leaves painted on the sidewalk outside a Harlem plant store. The harsh, dreary slabs were transformed and seemed to be casting light and a feeling of whimsy and charm. It made me wonder why sidewalks are rarely embellished, and how to do it…

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The Liberations of Long-Handled Paint Brushes, and Art Paired with Poetry

A favorite instagram is gallerist Brett Gorvy’s, which pairs an artist and his/her work with a poem. It makes for a powerful dose of illumination. Take this sublime photograph by the great photojournalist Harry Benson*, of a young Brice Marden painting with a long-handled brush, illuminated, as if by fireworks, by a poem by Margaret Atwood. Perfection. Which got us thinking about that amazing brush…

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